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Niall McMonagle - Art - What Lies Beneath - Artificial Bee Colony - Sunday Independent Newspaper





 

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HELLO AGAIN! I have been locked out of this blog page for a few years - is it ironic, as so much of my work is about AI and technology? Anyway I got it back so here's a heads up as to where to find me and what's going on. My website is   https://www.johncroninstudio.com/   and my Instagram is  https://www.instagram.com/johncroninstudio/     I have a new body of work,  ARTIFICIAL BEE COLONY,  which will be exhibited at the Green on Red Gallery in March 2024. More to come later..... The new body of work is  ARTIFICIAL BEE COLONY here is a bit about it. The ABC paintings are a witness to their coming into being – a process at once slick and crude, with elements of the works breaking down both compositionally and in their very materiality – once-luscious oil paint is cracked, dried and exhausted, arid patches vie with free-flowing organic rivers of paint, watched over by morphing, pathologising and destructive elements. The colours, while less kaleidoscopic than in previous works,

WARME NIGHTS, FAT GROUNDE, SWEETE DEWES, AND MISTY MORNINGS - IMAGES

John Cronin Warme Nights... 8 16"x24" 2017 oil on canvas John Cronin Warme Nights... 6 16"x24" 2017 oil on canvas John Cronin Warme Nights... 9 16"x24" 2017 oil on canvas John Cronin Warme Nights... 7  16"x24" 2017 oil on canvas John Cronin Warme Nights... 10  16"x24" 2017 oil on canvas John Cronin Warme Nights 2  12"x20" 2017 oil on canvas John Cronin Warme Nights 1  12"x20" 2017 oil on canvas John Cronin Warme Nights 4 12"x20" 2017 oil on canvas John Cronin Warme Nights 5  12"x20" 2017 oil on canvas John Cronin Warme Nights 12 2017 6'x8 oil on canvas  John Cronin Warme Nights 32 2017 6'x8 oil on canvas 

John Yau Review - Standard Deviation

GALLERIES  •  WEEKEND Too Big for His Pond: The Irish Abstract Painter John Cronin by  John Yau  on  July 7, 2013 2 John Cronin, “Standard Deviation” (2012), oil on aluminium, 60 x 120 x 3 cm (all images courtesy the artist and Red on Green Gallery, Dublin) 1. DUBLIN — John Cronin, an abstract painter in his late 40s, who has been exhibiting his work regularly in Ireland since the late 1980s, was — for this viewer — a wonderful revelation. Little known in America, it was clear from the moment that I walked into the high-ceilinged gallery space that Cronin was up to something. The most obvious is a preoccupation with the nature of paint’s materiality, and beyond that, with the status of painting at this late point in history. Instead of choosing the path of solutions and a signature style, he has elected the territory of investigation and discovery. Rejecting the commonplace answers of parody and citation, he focuses on the how and what of painting. In